Blog

CLE AND THE UNIVERSITY OF OSLO 15-17 June 2023 KEYNOTE SPEAKERS Timothy R. Tangherlini Professor of Scandinavian, UC Berkeley Conference Speaking Engagement: Good, Bad or Creative? Deeplearning, Kpop and TikTok challenges Timothy Tangherlini Professor Tangherlini’s research focuses on folklore, and aspects of informal culture in Scandinavia, with a primary focus on Denmark. A folklorist and ethnographer by training, he has worked extensively on understanding the circulation of informal storytelling in both agrarian and urban communities, and the manner in which stories both reflect and inform changes in social, economic and political organization. He has developed various computational methods for ...
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Conversations is a new series focusing on the interaction between artists and social environments. It builds on an earlier blog by the Special Interest Group ‘Cultural Literacy and Social Futures’, linked to an Arts Council funded project on behalf of Clifton Park Museum, Rotherham entitled ‘Revealed Roots, Concealed Connections’: Museums, Legacy, Art, Culture and Community The blog described how, in August 2021, British government’s policy on the function of museums had changed over the previous decade. Rather than viewing such institutions as essentially publicly funded with the objective of preserving archives of historic interest to be viewed by an indeterminate, ...
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This isn’t really a blog. Or even an essay. More a series of disconnected thoughts arising out of belated readings on affect theory and its implications for Cultural Literacy Research. As a SIG coordinator and consultant to universities on research bidding, I continue to be preoccupied by the impact of ‘the affective turn’ on the social dynamics of definable, site-specific groups in society. Much recent academic and journalistic commentary has drawn attention to the significance of emotion in the formulation of public and private opinion. Amongst other things, it has emphasised the divisive impacts on western societies of populism ...
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An International Call for Entries coming soon for the Digital Memoir Exhibition 2022. Participants will be asked to submit a memoir that reflects a personal moment of cultural freedom that was critical to determining their personal identity. o Digital artifacts will be submitted for juried review to include: Poetry, graphic novels, collage, essay, visual and digital art, etc. o Selected pieces will be curated and displayed for the summer event that will be hosted digitally. Participants will submit recorded presentations of the works selected which will be presented during the weeklong, exhibit period. o To culminate the event, live presentations ...
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"Mirrors, Windows, and Sliding Glass Doors," from the essay of the same title, by Rudine Sims. For this hour-long, interactive workshop, participants will explore the memoir as a narrative creative form. For this occasion, participants/creators will recount significant experiences through meaningful dwellings from their life. To frame this experience, a selection of memoirs will be shared through which participants will discuss and reflect on the significance of dwellings in their own experience as relates to the development of their personal and cultural identity. Following the discussion, a series of questions or prompts will be given from which each can choose ...
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‘Revealed Roots, Concealed Communities’  A project in hand Public on-line reports of the last ten years on the function of museums in society make interesting reading. They reveal a shift in priorities which in an ideal world might normally have been expected to attract additional public funding. In reality, the opposite is true. Given the state of the UK economy post-Covid and the vagaries of Brexit, the contrast in style between past and present documentation reflects a welcome improvement in messaging but fails to illustrate detailed ways in which its recommendations can best be realised in practice. The present case ...
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By: Zeina Dghaim www.zeinad.com Every object tells a story. I present to you an Adventure Through Time & Space. A story about four objects from the Aga Khan Museum collection. An astrolabe, a manuscript (101 Nights) - not 1001 -, a lampstand, and a basil pot (Alfabeguer). An innovative approach combining music and motion design to renew artefacts from museum collections, preserving their beauty, functionality, and stories. I hope to inspire kids and adults through this storytelling as much as these artefacts and musical repertoire have inspired people for centuries. Click here to watch the animation video! Repertoire: Nikolai ...
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Guest Blog by Anthony Schrag
www.anthonyschrag.com

Over the past few decades, there has been a growing interest in participatory processes. There is now a “necessity of ‘civil society’ participation in decision-making processes” (Saurugger, 2010). The realm of culture has not escaped this “participatory turn” (Bishop, 2012). ‘Socially Engaged Practices’ occupy a central place within the sector. Major cultural expressions in the form of exhibitions, projects, festivals etc. become mechanisms designed to integrate the cultural sector into different domains such as education, social work, health and so on. Problematically, this work often involves the expectation that the outcome will be ‘transformative’, ...
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Guest Blog in association with Artist Hannah Fox I grew up in the 1970’s ‘on the road’ with the legendary collective of artists Welfare State International, a wild and evolving band of musicians, performers, dancers, pyrotechnicians, sculptors and writers. We lived in caravans and toured the World making work in communities, creating art and wonder, giving, teaching and usually leaving behind a creative impact in the places we visited. Since then, for 30 years, I have been a professional freelance Artist undertaking my own work; making films, digital animations, projections, theatre shows, installations and constructions, all in a public context ...
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‘Is it possible that we cannot even define a specimen object-unit of a science of action without thus abandoning the role of observer and becoming a partner in a social relationship. […] If we become participants, do we lose our objectivity? If we remain mere observers, do we lose the very object of our science, namely the subjective meaning of the action? Is there any way out of this dilemma?[1] It was in these terms that George Walsh’s magisterial 1967 review of Alfred Schutz’s 1932 phenomenological study of social science described the challenge which still faces the would-be sociologist or ...
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